# 83 - The Pleasures of Plein Air
Fellow Art Lovers:
There I was in Chamber’s Square, a lush public park up in
North Philadelphia at the corner of Allegheny Ave. and Belgrade St., painting
away with my portable easel and my paints and other materials at my feet. It
was an unusually warm afternoon for early October, and the trees’ foliage was
just starting to change color. People from the neighborhood walked by and
respectfully greeted me.
The scene of the park and Saint Paul’s House beyond it was
beautiful, and I was having a wonderful time. (The artistic product of those
hours is below, “Saint Paul’s House.”)
How did I miss the boat and wait so long? For the longest time, I’ve felt the need to
paint my Normandy landscapes by actually being at the sites of the paintings –
out in the fields, on the roadsides, in the villages and on the beaches.
Whereas, for urban scenes, yes, I’ve painted in some neighborhoods, but for the
most part, I’ve preferred to use a combination of on-site pen-and-ink sketches,
photos and then good measure of studio work.
Well, I’ve really missed that train – the pleasure of
putting colors directly on canvas while interacting with the environment, which
includes the people and the foliage.
Why the awakening? I
have to credit two dedicated plein-air painters for my change of heart and for
the fact that I’m now getting a lot more direct knowledge and emotion for the
sites I’ve been painting, and for the pure pleasure in doing so.
My next stop was the intersection of Girard and Frankford
Avenues, just north of Northern Liberties. My goal was to try to represent an
active afternoon at this busy place. The view I chose was from the western side
of Frankford because all of the elements it contained, (You see them in the
image above.) including the club Johnny Brendas, the traffic on Girard, and the
people rushing to get home after work. Again, the passers-by were friendly and
respectful, and most of all the wait staff of Joe’s Steaks was great because, while I
took over a portion of their space for two afternoons, they brought me drinks
and food.
This posting would not be complete without the still life I
did in my studio (Above). In the beginning, I just wanted to keep my skills and
my right arm in shape. But then at a certain point, I decided that the work wasn’t
bad. Also, I pleased that I included my lucky orange cap.
Thanks for listening.
Best,
Bill